Amanda Hansen: All Things A Cappella Subject Guide by Amanda Hansen

More than any other person, Deke Sharon is responsible for the current success of pop a cappella. Founder of the House Jacks (the original "rock band without instruments"), Deke continues to influence through his work with The Sing-Off, Pitch Perfect, Pitch Perfect 2, and Vocalosity. Combine Deke's expertise with that of directors Ben Spalding and Brody McDonald, add a foreword by Ben Folds, throw in advice from contributors like Peter Hollens, and you have the most comprehensive volume ever created on the subject of contemporary a cappella singing. Sections include: Setting the Stage * Getting the Band Together * Arranging * Preparing * Technology * Making a Name * and more. 404 pages.

A Cappella pop singing . . . it's the hottest trend in the nation! Author Brody McDonald's award-winning ensemble, Eleventh Hour, was the first high school group to appear on NBC's The Sing-Off, and now you can similarly challenge your top high school and collegiate age singers with this book! With a foreword by Deke Sharon, topics include forming your ensemble, music selection, rehearsal techniques, sound reinforcement, vocal percussion, and much more!

From amateur collegiate a cappella groups to professional ensembles like Straight No Chaser and Pentatonix, contemporary a cappella has exploded onto the world pop music scene. In So You Want to Sing A Cappella, Deke Sharon combines historical context and a comprehensive look at the a cappella community with a detailed discussion of vocal techniques, rehearsal practices, and live audio support needed to sing great a cappella. Additional contributed chapters examine singing and voice science, vocal health, vocal percussion, and audio technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing, and each book features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

In So You Want to Sing Barbershop, veteran barbershoppers Billy J. Biffle of the Barbershop Harmony Society and Diane M. Clark of Sweet Adelines International provide a practical handbook for singers at all levels who want to learn about the American art form known as barbershop singing. Clark and Biffle explore the history of the style, survey the international organizational structure of the twenty-first century barbershop world, and outline techniques to develop the necessary vocal skills for the style. Guest authors Scott McCoy and Wendy LeBorgne provide valuable information on vocal anatomy and vocal health. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Barbershop features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

(Choral). What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are over 39 creative exercises which do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm. Two top authors, Deke Sharon and J.D. Frizzell, have provided a wide array of warm ups specifically designed for pop and jazz choirs but these warm ups will work well for contemporary a cappella groups of all sizes and styles. Every vocal ensemble has its strengths and weaknesses which vary from year to year. The warmups within can to help polish your weak spots and hone your strengths. Regardless of your group s strengths, this book is can help you address the full range of skills required for great musicmaking. Topics include: Rhythm, Syllables, Tone, Intervals, Dynamics, Intonation, Blend, Balance, Pitch, Improvisation, Solo Techniques, and Vocal Percussion.

(Music Pro Guides). The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands, there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition, through various online and on-the-ground vocal music societies, the "a cappella market" is well defined and well connected. Like singing itself, a cappella is a global phenomenon. At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is the long-awaited definitive work on the subject, wide ranging both in its scope and in its target audience which spans beginners, music students, and community groups to professional and semi-professional performers, vocal/instrumental songwriters, composers, and producers providing genre-specific insight on a cappella writing. The tone of the book is instructive and informative, yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook and a "good read" for every vocal arranger, whether amateur or professional; every vocal music classroom, and any professional recording studio.

(Berklee Methods). When you reharmonize a tune, you give the melody new color by changing its underlying harmonies. Whether you direct a band or choir, play piano or guitar, or write film scores, you will find simple and innovative techniques to update songs and develop exciting new arrangements by studying the hundreds of copyrighted examples throughout this book. Reharmonization techniques covered include: simple substitution, diatonic approach, adding dominant and subdominant chords, harmonic displacement, modal interchange, and others. Includes examples and exercises on such tunes as: Black Orpheus * Blue in Green * The Girl from Ipanema * Isn't It Romantic? * Misty * Over the Rainbow * Stella by Starlight * and more.