In March of 2022, Artikal Sound System filed a lawsuit against Dua Lipa over her song "Levitating." The reggae band claims it is infringement on their 2017 song "Live Your Life." Hear musicologists' takes on the case from an article by Rolling Stone. The reggae hit reached number 2 on the Billboard Reggae charts, so it seems possible that Lipa had access to the music. Intention, however, is always difficult to prove. For more information, you can see this article from Music Business Worldwide. (Note: Live Your Life is not available on Spotify. Listen to it on Youtube.)
In May of 2021, Kidd Wes claimed that Childish Gambino's song "This is America" (2017) was "substantially similar" to the rapper's song "Made in America" (2016). Specifically, he claims that the “the lyrical theme, content, and structure of the identically-performed choruses” are virtually identical. The case is not yet resolved. Source take from here.
BTS appeared as guests on a television series I-Land back in 2020. Bryan Kahn, a resident of Florida and proclaims himself to be "engaged in the business of creating and producing television series and audio music,” claims his idea for a similar show was stolen. The show, which was called "Island Hip Hopping" was registered with the Writers Guild of America back in 2013. To prep for the show, he moved around different countries in Asia to learn more about the culture and was apparently set to being production in 2020. Whether the idea for a reality show can be protected by copyright, seems to be the main question. You can read more about this here.
Raisen, Raisen, and Rothman claimed to have come up with the idea for the lyrics "I just took a DNA test, turns out, I'm 100% That Bitch," for Lizzo's song "Truth Hurts" during a writing session with Lizzo. They also created the song "Healthy," with the same lyrics. They claim that "Truth Hurts" is a derivative of their song and that therefore, they are entitled to the profits. However, since Raisen, Raisen, and Rothman did not claim authorship or co-creatorship of "Truth Hurts," the work cannot be deemed derivative, and therefore the case was dismissed in August of 2020. Several countersuits have followed. You can read more about these cases here. (Note: Cannot locate a recording for "Healthy.")
The Estate of Randy Wolfe, the late-guitarist for the band Spirit, alleged copyright infringement. They claimed that Led Zeppelin's "Stairway to Heaven" copied a musical motif from Spirit's "Taurus." The case began in 2014 and was originally in favor of Randy Wolfe's Estate, however appeals in the 9th Circuit were just released in March 2020 in favor of Led Zeppelin. This case somewhat contradicts the ruling in the Thicke/Pharrell v. Gaye case (see below). For more information, read the news articles on the outcome.
Similar to some of the landmark cases below, Drake licensed a part of a song called "Jimmy Smith Rap" in his song "Pound Cake/Paris Morton Music 2." They claimed that Drake did not license the composition (though he licensed the master). After several years of back and forth, the court of appeals ruled that Drake's use of the sample is fair use as it is transformative. For more information about this case read this article from the Hollywood Reporter.
Lawyers representing the music publishers for Radiohead claimed that Lana Del Rey used the same chord progression and other musical elements from "Creep" in her song "Get Free." While it never went to trial, Lana Del Rey claimed that they settled, though no settlement has been announced. Interestingly, Radiohead had been sued by another band over "Creep" and they also settled out of court.
Ed Townsend, who is the beneficiary of some of Gaye's copyrights and a co-creator, is arguing that Sheeran's song "Thinking Out Loud" is infringing on Gaye's "Let's Get It On" as it takes from the melody, harmony, and rhythm of Gaye' song. The case has yet to go to trial, but stay tuned in!
Queen and David Bowie sued Vanilla Ice claiming that the bass line in "Ice Ice Baby" was a direct copy of "Under Pressure." Vanilla Ice argued that they weren't the same because he added an extra beat. The court ruled in Queen and Bowie's favor and Vanilla Ice had to pay an undisclosed sum.
The estate of Marvin Gaye argued that Thicke and Williams stole the "general vibe" and certain percussive elements of "Got to Give It Up" for their song "Blurred Lines." The court ruled in Gaye' favor. Thicke and Williams paid $5.3 million in damages and will pay a 50% royalty fee making this one of the biggest payouts in music copyright history.
One of the strangest cases ever conducted. Fogerty used to be part of a band called Creedence Clearwater Revival, or CCR, and wrote the song "Run Through the Jungle." 15 years later, Fogerty was no longer part of the band and he released the song "The Old Man Down the Road." The label for CCR sued him for copyright infringement. After one of the most interesting arguments in legal history, where Fogerty brought his guitar to court and demonstrated how the songs were different, the court rule they weren't the same song. He then countersued the label, which went all the way to the Supreme Court and he won, creating a legal precedent!
Roy Orbison sued 2 Live Crew saying that their use of his song "Oh Pretty Woman" in their song just called "Pretty Woman" was infringement. 2 Live Crew did use the full recording of his song, but they rapped over it, changing the meaning to something humorous. This is another case that went all the way to the Supreme Court. The court ruled that, while it is the same song, it was not infringement because it was a parody, which is transformative and often a form of criticism, therefore a fair use. This decision is a precedent that protects all other parody artists like Weird Al Yankovic
The Rolling Stones sued the Verve for their song "Bittersweet Symphony" which contained a sample from "The Last Time." Originally, the Verve had licensed the use of 5 notes from their song in exchange for 50% of their royalties. The Rolling Stones claimed that they used a larger portion than was agreed upon. The court ruled in their favor. As a result, they forfeited all of their royalties and publishing rights. They were sued again later for their mechanical rights. Verve had to give up all their rights to the song until May of 2019, when the Rolling Stones signed over all their publishing rights for that song to the Verve. Read more about that here.